I hear it a lot from writers: They’ve finally broken into the national magazines, but no matter what they pitch, the editors ask them to write it up in 250 words — or less. These writers are stuck in the FOB (Front of Book) section and are looking for ways to break into the feature well. FOBs often take as much time and effort as writing a feature — at a fraction of the pay.
This week I had a mentoring client who had this issue, so we went over some of her ideas to figure out ways to make them more feature-worthy. I came up with some general tips for her that I thought would be helpful to other writers as well, so I thought I’d share them here.
1. Add more info.
For example, if you’re pitching an article on tips on getting a good night’s sleep to a women’s magazine, an editor is likely to say, “Give me three tips in 300 words.” But if you add more information to your pitch, the idea may be worthy of a feature. For example, you could include:
- A lede anecdote from a woman who suffered from sleep deprivation; for example, you may find a woman who ran her car off the road because she fell asleep behind the wheel.
- Stats on how many women are sleep deprived.
- Information on the various negative effects of not getting enough sleep, from obesity to poor performance at work.
- The reasons so many women are sleep deprived.
- A few of the tips you plan to include in the article.
- The names of three or four expert sources you plan to interview.
See? Now you have a comprehensive article about sleep problems. (And FYI, I did much of this for an article on “sleep snafus” I wrote for Woman’s Day several years ago.)
This tip sounds easy, but it’s a challenge to add enough info to turn your short into a feature without verging into “fluff” territory. But I trust that you’ll recognize when you’ve entered that territory!
2. Pitch a round-up.
Many writers find interesting people, businesses, or situations and pitch them plain: “Here’s someone/something cool, can I write about it for you?” But you’re more likely to score a longer assignment if you pitch a round-up of three to four similar people/things.
For example, say you found a man who runs a gourmet hotdog stand in Chicago, with artisinal-bread rolls and toppings like caviar. (Ew!) That’s interesting, but an editor will probably expect you to write that up in a couple hundred words, unless you find a local magazine that runs profiles of interesting people in the area. But what if you found three or four people around the country who sell highbrow versions of lowbrow foods? Now you have a trend.
Keep in mind that when you offer a round-up, your sources need to be geographically and ethnically diverse. That means you can’t write about four people who live in New Hampshire for a national magazine. And editors will love you if all of your sources are not the same ethnicity.
You can often have good luck finding these ethnically- and geographically-diverse hotdog stand owners (etc.) through a service like Help a Reporter Out.
3. Go Beyond the Obvious.
So many writers find a new study that says, say, that a high-salt diet causes acne (I totally made that up), and then they pitch that exact story to an editor. And of course, the editor has not only probably already seen that study, but even if she does want it, she’ll want it — you guessed it — short.
Instead of pitching the obvious (and small) story, reach a bit; do some research and find out if you can expand your idea. For example, are there any other surprising things that can cause acne? You can pitch “5 Surprising Reasons You’re Breaking Out.” Or are there other health effects of salt that haven’t been done to death already?
As another example, say you found some research saying that when people lie, they tend to touch their noses. That in itself would be worth about 200 words in a magazine. (In fact, I wrote a short on that very topic for Details magazine years ago.) But if you do some research, you may find out that there are other surprising tells that someone is telling untruths. Or, you could pitch an article on the surprising things your body language says about you.
The key is, the facts or advice you offer need to be unique. Everyone knows that liars have shifty eyes and that too much salt is bad for your heart. Dig deep and look for facts that will surprise even a jaded editor.





